There are no perfect moments. Every moment has infinite possibilities, so you just have to jump in, and embrace the imperfection. Every moment we are alive, we’re also going against life. Almost by definition, living means we’re also inching closer to its end. And we’re also always attempting to put things in order that tend towards chaos and entropy. We’re struggling to keep ourselves afloat, and exploit new resources, without being exploited or losing ourselves in the sea. We’re also trying to keep ourselves interested and entertained, while suffering under the illusion that we can win the ultimate battle. We can’t. The darkness will always win, as it should.
These are tough lessons to understand, and even stranger to try to live. It takes a lot to admit the paradox that perfection is unattainable in this life. We can’t reach it, because it would mean we had nowhere to go, and had nothing to strive for. In some sense, then, death is the closest to perfection we can ever get. Yet this need not be a morbid thought, because knowing it suddenly makes it possible to jump into the flow, and revel in the mess, while also letting go of the need to be perfect. We can have some fun in this royal disarray. We can throw our hat in the ring without knowing everything we "need" to know. We can also demand more for ourselves, even if we never get it, by simply stating those demands, making a declaration that “yes, darkness, you will win in the end, but in the meantime, watch me shine!”
It is with this attitude that I have decided to revive a writing process that I left hanging last year, at the very beginning of my definitive break with another set of illusions. It's time to just jump back in, whether it's the "best" moment, or the best summary I can muster.
In 2011, I gave up the illusion of having a permanent residence. I gave up the illusion of home, in the hopes of expanding it. After slowly shedding my skin over the last few years, and reducing my responsibilities down to the barest essentials, in 2011, it finally started to feel real.
To recap, the story goes like this: as the year began, I was living with virtually no money in the mostly-empty upstairs floor above my father, in the house where I grew up. I was wearing out my welcome, and falling behind on bills. I decided to take an advance for a photo job and lurch down to New Orleans to shake things up. I had been thinking that writing and photography might be my best ticket to a life on the road, and a career path of “getting to know the world better.” So I thought that New Orleans, with its famous Mardi Gras, might make an interesting first foray into this life.
Three weeks later, I was nodding with a newfound understanding. New Orleans had welcomed me, and schooled me. It is a truly marvelous city that must be experienced to be believed. Its traditions run deep, and are unlike anything else I’ve run across in the US. But after the beads and the jazz-in-the-streets had wound down, I got another type of schooling. On the beginning of my drive back to Columbus, I stopped by the abandoned Six Flags amusement park in East New Orleans. I simply wanted to take some pictures, but was surprised to find a dozen or more thrill-seeking punks and curious kids in the park already. Within twenty minutes, however, we were all arrested together for trespassing. We spent most of the evening being processed and detained in the infamous Orleans Parish Prison, which was about as unpleasant an experience as I ever care to endure.
Luckily, I was bailed out by a stranger who was a friend of a friend, who also decided to lend the entire group some money. After getting out, appearing in court, and avoiding a conviction, I took a breath, had a good dinner, rode a streetcar, and started over. I filled up my tank with gas and drove east, spending my last $20-something on a Louisiana swamp boat tour before entering Mississippi. I continued along coastal Mississippi, where I learned another tough lesson. Since I had left Ohio, I had been playing a lazy game with a missing rear brake pad. Over a fifteen hundred miles later, the damage was too far gone, and my rear caliper gave out completely. From one moment to the next, I lost almost all of my braking power. Yet I still somehow imagined that I could “improvise” my way back up to Ohio by driving slowly and stopping as little as possible.
In Waveland, MS, this illusion was almost shattered when I came within inches of smashing my windshield into the huge metal propeller of a boat being towed by a car in front of me. That’s when I said “enough is enough,” and pulled into an auto arts store to ask if someone could take a look at it. A back-yard Mississippi mechanic was called in, and even with him working in the store lot, and charging me far less than a shop would, using local labor, it still cost me more than $500 to fix. Meh.
I was wiped out, so I had to reluctantly ask my network of friends for financial help. What was worse, the repair didn’t quite take, and the next night, the caliper fell off again near Biloxi, MS. Luckily, I had seen how the caliper worked, so I soon determined that all I needed was another brake pad. The next morning, I drove my car gingerly to another parts store, jacked the car up, and installed the new pad. It worked. This, plus the infusion of enough gas money to make it home, gave me the freedom to weave my way through Mississippi and Alabama, hitting places I’d never been, like Selma, Alabama. From Birmingham, I began to wind my way back north to Ohio, where I fulfilled the obligation to photograph a wedding that had gotten me to New Orleans in the first place.
For a while, back in Ohio, I tried to sustain the illusion that I could maintain a residence by renting a tiny room room at a friend’s house. It wasn’t ideal, and the back yard of next house over was apparently the meeting point of all of Columbus’s loudest-mouthed scavengers, but I made do. I didn’t even have a bed, but the blackberry tree shared its fruits with us, and I had a place to cook, so I didn’t complain too much. After a month, however, the pressure of my poverty—and my strange, stubborn unwillingness to work—reached a breaking point. The second month, I had to sell some precious instruments just to cover rent, and I could feel myself resisting the coming of this new life. I didn’t realize how much I was clinging to who I used to be, but it didn’t matter, because the new life seemed to be coming whether I liked it or not.
In the summer, I drove some DJ friends around the US (as I’ve detailed elsewhere), and had all my expenses covered. On my return, I improvised for a couple of weeks, living out of my car and at friends’ houses, until I was flown out to Portland, Oregon to officiate a wedding for one of my oldest and dearest friends. I hadn’t intended on deliberately living out of my car, but it was the summer, and I had done some similar improvising in New Orleans, so suddenly it felt like a useful skill to have.
The real beginning of car-living by choice came at the end of July, after my return from Portland. I decided to make it a test of my endurance, and to help guarantee that I would not give into the complacency of Columbus. At first, it took some learning, so it felt unstable. I made a few beginner’s mistakes, like parking to sleep near the railroad tracks. My car's isolation attracted the attention of three police cruisers and I found myself making bashful explanations that I was locked out of my house for the night.
Within a couple of weeks, however, I settled into a comfortable pattern. I spent many of my days at friendly cafés, and most of my nights sleeping (quite comfortably) in my car. I learned where to park and feel safe. Surprisingly, the best places are in residential neighborhoods, where there are many other cars. I would find spots where I would be somewhat “out of view” of house windows, park, switch to the passenger side for more leg room, put a firm couch pillow on the floor, recline the seat, crack a window, and enjoy the evening and the independence. Other times, I parked at the fringes of large department store lots, where there might be a handful of other cars, and a guaranteed clean bathroom to freshen up in the morning. I also started going to a grocery store that was open 24/7, and had a seating area complete with toaster and microwave, so I could maintain some semblance of home cooking. After realizing it was okay for me to be there, especially after buying my groceries in the same store, and becoming friendly with the night staff, I was not shy about showing up for my late night dinners. I also enjoyed exercising in various parks throughout the city. I visited a number of Metro Parks I hadn’t been to in my entire life. To keep clean, I usually showered at the houses of friends.
In other words, far from feeling like a bum, I somehow managed to maintain a certain standard of living without having a home of my own. I was well rested, eating decently (thanks to food stamps, which I finally decided to apply for in late August), presentably clean, and had plenty of places to exercise and hang out. I didn’t need much money, but I did start to bring in a few hundred dollars from odd photo jobs here and there. I envisioned myself getting back on the road by the end of September or mid-October at the latest, before the cold kicked in. I wanted to drive somewhere, probably to Michigan, or maybe to Nashville, or back to New Orleans, and just start this photography-traveling-writing life for real…
***
This is about as far as I got with my previous attempt to report on my strange, threadbare attempt at reinvention. My last post, in early September (“Learning to Crawl”), was rather grandiose, contemplative, and determined. I quoted Herman Hesse’s Siddhartha and conjured the ghost of a recently departed friend, Dan Sicko, to remind me not to take this life for granted. I put up a good front, and played the artist for one last time.
I resisted the idea of working any kind of conventional job, because I suspected it would tempt me to stay in Columbus longer. This is about the time I also had an image of wiping tables, doing the most demeaning type of work at a restaurant in the French Quarter. I remember realizing how stupid I felt for waiting so long to leave, because no matter how demeaning a job I would have to take in New Orleans, I’d be able to look up from my work and say to myself, “but hey…I’m wiping tables in New Orleans” rather than still being in Ohio, still living in the safety of the nest.
Around this time, I also realized that there was another thing that was “elusively obvious” about my relationship with Columbus. All the feelings of mediocrity, insecurity, and overcompensation that often haunted me about Columbus, were almost identical to the things that have haunted me about my own life. As a city, Columbus is still in the midst of figuring out how to be more than just an average place. It’s often been too closely defined by the scarlet and grey of its gargantuan university, and the simple designs of its clothing impresario named Les Wexner. I always found the city’s mediocrity and lack of vision (and in some sense, its complacent acceptance of its own averageness) maddening, and to be honest, a bit immature. After a moment when Columbus was in the spotlight, such as the 2004 presidential election, there would be a self-congratulatory pall in the air for weeks. It made me nauseous. Over the course of the 2000s, I had also noticed that the music scene had become more and more insular. There was a burgeoning scene, but too few bands seemed willing to test themselves on the road. Then, there was the rise of a number of festivals celebrating Columbus, which seemed a little too eager for my tastes, and arguably premature. A particularly galling moment was when the local rag published a piece on the “Columbus Hip-Hop” scene. But the problem was, there IS no scene. At best, it was a loose affiliation of related and unrelated artists. The term “Columbus Hip-Hop” just seemed like another immature (if understandable) journalistic conceit.
But now that my secret was out, I realized how much of my critique also applied to me. I had never really tested myself, or tried to prove any of my ideas outside of what I knew. True, I had traveled, but my vision was still very limited. All too often, I was just visiting people who I originally knew from Ohio. I was still in the Ohio bubble, more than I ever realized. New Orleans had opened me up to a new kind of life, not refracted through the Ohio lens, and I liked how it felt. But I didn’t know how to make it permanent and lasting. “Just do it” didn’t seem like enough information for me, especially since I didn’t feel like I knew how to take care of myself yet.
So I kept waiting. October came, and Halloween presented many fun opportunities for photo-taking. I managed to keep the car-living thing going. The cold actually made the car quite cozy, as I learned to use blankets and a sleeping bag. October turned to November, and I was still managing just fine. Then, in late November, we had our first freeze. I woke up under a pile of covers, after sleeping nicely, but with a car interior caked with frost. I realized that the experiment had to end.
At that moment, I lined up two gigs of apartment-sitting, which were cozy and comfortable, and also fun. I got back into cooking, big-time. But the complacency was still with me, even as I made tentative plans to take an ambitious drive into Canada and New England in the dead of winter to see friends and do portraits. The idea was to arc down from there, to stop all over the east coast and start the photographic journey. I hoped to do this roundabout journey in time to make it back to Mardi Gras, and even threw a “goodbye” event in January to sell many of my records and mark the occasion. Around this time, I also lost about a third of my life archive, when a storage space I was utilizing semi-legally was cleared out without my knowledge. I lost, among other things, almost every scrap of academic work I did in my entire thirties, mementos from over ten years of travels, an entire library of books, years worth of older digital photos, some of my favorite techno records (GAH), and worst of all, my cache of Super 8mm films (family films, and my own artistic films from the early 1990s). Right now, much of my life sits in a landfill on the south end of Columbus.
The devastation wrought upon me at that moment was of a singular importance. When I entered the dusty, musty space one last time, I was still so familiar with it that I was able to imagine, and almost touch where every box and object was (in a way, it’s still there, etched in my memory). When was faced without he fact that everything was indeed gone, I immediately realized the jig was up. I had played a game, and I had lost—badly. For once in my life, I was faced with an irrevocable consequence.
But compressed in that moment, there was also a powerful realization. I felt every possible reaction coursing through me, equally. It was one of the strangest moments of balance I have ever experienced. Perhaps it’s as close to perfection as one can ever get. I was filled with everything at once: anger, self-loathing, shock, loss, grief, relief, acceptance, and the feeling that not only had I been freed of a large chunk of mess in my life, but I also had an opportunity to live “for real” this time, instead of hoarding a past that had never made me happy in the first place.
In typical Lunar fashion, however, I still managed to wait another few weeks before I got myself going. The difference was that I knew I was leaving. There was no way out of it now. I no longer felt the need to explain my departure, or answer specific questions such as “so, Ed, when are you leaving?” I just knew I would leave, sooner or later. I had also secretly admitted to myself that that the Montreal/East Coast Tour was probably unrealistic, due to lack of money and worry about my car’s iffy suspension (which I ended up getting fixed in late January). I had also hoped that a lady-friend out east would beckon me out for a special Valentine’s Day rendezvous, but that also turned out to be unrealistic. I reduced it to the baseline: I would need about $100 to get to New Orleans, and my deadline was the weekend of Mardi Gras (Feb 18-21, 2012). Somehow, after attending one more Sweatin’ event on the 17th, and doing all the things I love to do at a dance party—dance, take portraits, and mack on the young hipster girls—I found myself driving south an hour later. I had snuck out of Columbus like a thief, with only some $150 to my name, and a few small jobs yet to be paid.
I arrived in New Orleans a bit too late to really enjoy the full Mardi Gras experience. I was also inexplicably lazy on Lundi Gras and missed some major parades, and chose to write some of my first pieces about the city instead. After Mardi Gras wound down, it slowly sank in that even though I had managed to make my getaway, I had brought my bad habits and lack of “executive functioning” with me. I spent seven weeks in a holding pattern, living on next-to-nothing, and feeling subtly depressed, in the midst of sun, gorgeous weather, and an entire city to uncover. I was also staying with generous friends who welcomed me and offered me a real feeling of refuge. But instead of using this as a platform to build a new life, I played it safe again. I didn’t even try to find that French Quarter job with dirty tables to look up from. Instead, I returned to the fog-like behavior of endless social networking, planning to-do lists, sipping coffee obsessively, examining my failings on long walks, having nightly epiphanies, and then failing to do much about any of it.
It didn’t seem like it to me at the time, because I often felt like I was failing to make even the smallest inroads towards true self-reliance. I knew I was making the same mistakes, and I didn’t like it. But it’s only with the distance of three weeks in Maine that I can look back and realize that something deeper was sinking in. For one, even if I was being a mopey, overly-introspective, and lazy person, I was at least being that person somewhere else. But more importantly, I was working my way through the guilt of not having left the familiar confines of Ohio years and years earlier. I was finally working through what my low-cost, low-key life of living in Columbus had really cost me. In the midst of a strange, joyous, musical city, I was also learning to forgive myself, and also laugh at my own self-importance. As far as life projects go, it’s a good start.
It’s now been over two months since I reached “escape velocity” out of Ohio, and I’m surprised at how seldom I have looked back. The Facebook news feed, full of Ohio updates and event listings, seems largely irrelevant and foggy to me. It’s just another place to me now, although I can tell it is slowly coalescing into something. But I have little reason to go back, other than to revisit the people and places I left behind there (my father, for example, isn’t much of a “hang out” guy, so I don’t even really have that as an excuse). In those few weeks, I’ve even lost my temptation to “shame” my Ohio friends for the small-mindedness that I still smell from afar. It’s not my battle anymore, and negativity just gets in the way of what I do want.
Incidentally, the term “escape velocity” is an old joke among friends. It dates back to a dance party by the same name that happened in Kentucky in the early 1990s. The same friend who flew me out to officiate his wedding last year was also the source of the joke. If I remember correctly, he had been booked at that party to set up his trademark grab-bag of low-tech goodies (which included a monochrome green video projector). He had loaded up his 1970-something Datsun 300x and set off for the party, but the poor car—with weak compression, exhaust fumes leaking into the passenger compartment, and other problems—just couldn’t make it. For years, this was the source of enormous peals of laughter every time it came up. To this day, we make fun of him for not being able to “make escape velocity.”
Well, that friend eventually did get out of Ohio. He did it way before I did, when he moved to Portland, Oregon some years ago. He arrived there with very little confidence in himself, and he suffered a number of depredations that seem to haunt him to talk about today. But now, he is a man with a thriving business, a wife, and a child on the way. His life has started in earnest, at age…44.
In some fashion or other, it seems I’ve also managed to make escape velocity. I don’t know what shape it will take, or whether I’ll settle into some kind of reliable orbit, but as I sit here at a Denny’s in Portland, Maine, waiting several hours for the trains to start up in the early morning, I feel like I can look back on the last two months and honestly say one thing for certain: I did it. I got out of the familiar. In my seven weeks in New Orleans, and the three-plus weeks I’ve spent in Maine, I’ve already expanded the horizons of my life far beyond what was possible for me in Ohio. I will always be connected to where I’m from, because it’s where I was born, and it’s where I chose to spend over twenty years experimenting as a creative person. But I don’t owe Ohio anything anymore, and in a way, I am doing Columbus a favor by letting it grow up without me.
It’s because of this sense of balance and perspective, that I finally felt like I could legitimately revive the Happiest Man Alive. I am no longer talking about what I’m doing to do, I’m quite busy doing it. I don’t know if I’ll pull it off, but I am about to attempt a semi-improvised trip down the eastern seaboard by means of thumb, rail, bus, foot, or whatever makes sense at any given moment. I’ll be visiting a lot of those aforementioned Ohio friends, but I suspect I’ll also be making several new ones as the boundaries loosen. It’s also worth saying that I no longer feel the need for grandiose statements. I don’t feel much desire to turn this experience into an “epic,” or “project,” or anything other than an attempt to peel back one layer of skin on this here Earth. It can be a modest project, changeable by the day, as ambitious as it needs to be to say something.
Perhaps in some way, my last posting on here, “Learning to Crawl”—written at the cusp of delving one last time into a kind of poisonous complacency that defined too much of my time in Columbus—was also the last gasp of an artist I always failed to be. Perhaps now, I am free to just be the artist that I am. With all my imperfections intact.